Bodice Dart Manipulation Part 2…both darts at the waist.

Daisy in her half scale bodice block.

Here we have part 2 in the 6 part series on how to move darts around the bodice block. Please take a look and be sure to give me a thumbs up in YouTube and leave a comment or a question. If you subscribe you will be sure to catch all my upcoming videos!

The class materials and half scale blocks are in the members only area here on my blog page, once you are subscribed you will be sent the password!

Click to watch in YouTube and be sure to subscribe.

Many thanks for watching and if you have any ideas for pattern cutting videos, please let me know.

See you very soon with part 3!

Nicola

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My Latest Video – Part 1 is now available!

Subscribe to be automatically notified when part 2 – 6 are released!

It’s hard work finding the time to make videos!

Finally I have a series of videos all related to moving the darts around the bodice block. I am always surprised when I have a message from a customer that tells me that the position of the dart, on the block they have just purchased from me, is not quite in the right position for them. I then show them how to move a dart, and a whole world opens up!

Its very unlikely that a designer would want to keep the bodice darts in the same position they are on the basic block, for every style they produce. This useful series of videos will show you the many options you have for dart positions. In part 1 we look at moving the waist dart into the shoulder.

Part 1 – find all your handouts for this mini course in the subscribers only area!

There are 6 parts to this first series which covers the slashing method of dart manipulation and you can download all your class materials in the members only area. You will need to subscribe to gain access to this area, once you are subscribed – check your spam folder if you cant find the e-mail – you will be sent the secret members password – please let me know if you need any help with this.

Click to watch and don’t forget to get your class materials and free half scale blocks and templates! Please give me a thumbs up and a comment!
click to watch
Half scale size 12 Modeliste Creative Blocks – for my full scale range see below for a link to my Etsy Shop
Click here to see my Modeliste Creative colour bodice block / sloper in my Etsy Shop

Thanks for watching and if you have any questions at all then, as always, please get in touch!

Nicola X

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Waistbands – Let’s take a look.

I regularly receive questions about my blocks and one recent question has spurred me into creating this post, as I imagine, if one person asks then others also want to know.

The question was – do I supply waistband patterns with my blocks, and the simple answer is no, I don’t. However I am happy to show you how to construct a waistband here on my blog!

There are several different types of waistband and I thought I would start out by looking at the straight waistband, of course you can also have a shaped or curved waistband, a high waisted waistband, a low waisted waistband or even a facing if you don’t want a waistband.

There are a number of ways to finish a waistline, the same theory applies to both skirts and trousers.

Let’s look at the most common type of waistband – the straight waistband.

 

A straight waistband is usually constructed slightly smaller than the skirt pattern measurement (as the main skirt has a quantity of ease included) so that it fits the body better. To complicate things slightly the waistband also needs some ease, but not as much as the skirt waist.

The maximum depth of a straight waistband, before you should consider using a different pattern cutting method to the one shown below is 5 cm. Waistbands deeper than this will need to be shaped to fit the body contours and we will look at the method for drafting a deeper waistband later.

Drafting Your Straight Waistband

It’s as simple as constructing a rectangle, however notches are essential!

You will need to decide on the finished width you require, let’s say 5 cm and multiply this by 2 and then add on 2 lots of seam allowance. You may be happy with 1.5 cm seam allowance, but 1 cm is more suitable.

Here comes the slightly more complex part –

You will also need to calculate the length you require, this will be your (BODY) waist measurement and some ease allowance so that you can sit, move and breath in the skirt, very important! The quantity of ease you choose to add to the waistband, can be less than the ease you have in the waistline of the skirt pattern or block. So let’s take a look at an example –

If skirt pattern / block waistline has 5 cm ease at the waist line, then you may decide to add 3 cm ease to the waistband, and therefore you will be easing 2 cm of the skirt waist into the waistband.

On top of this you will also need to add some extra for a button stand and 2 sets of seam allowance.

If the width of your skirt back and front is the same at the hip level, which it will be on some blocks or patterns, but not on others, then the placement of the notches is more straightforward. If the the skirts have been drafted with a displaced side seam then the placement of the notches is slightly more complicated. As the ease needs to be distributed around the skirt block, to be perfectly accurate.

Lets look at the basic rectangle first

Step one

Construct a rectangle twice the finished width you require. The length will be the waist measurement plus a couple of centimetres ease – please note that the ease you add to the waistband is up to you, if you have a comfort stretch fabric such as a stretch denim you may want to add very little ease if you want a snug fit, older wearers may like more ease and personal preference and target market have a lot to do with this.

The only thing you need to ensure is that you are aware of the ease in the actual skirt waist, and either keep this the same as the waistband (this is simpler) or have a little less ease in the waistband so that the main skirt eases to the waist band (for a much better fit). The ease will need to be focused either side of the dart locations, or if there are no darts, then ease the extra in where the darts would have been placed.

 

Add some extra for a button stand to the left side of the pattern piece as it is shown, and then proceed to add seam allowance around the whole waistband. (1 cm is perfect)

Now the important part – the notches – If you have the zip opening at the CB (Center Back) then the left and right of the rectangle are both CB – the very center of the dashed rectangle is the CF (Center Front) and each quarter of the rectangle can be marked as shown, the quarter either side of the CF is the SS (Side Seam) – that is if the skirt is the same width at the hips for the front and the back. If this is the case for you then place notches at each quarter of the dashed rectangle and you have completed the waistband.

Place notches also at the button stand and also at the horizontal fold line.

If your skirt pattern or block has a displaced SS then the notches will have to be located differently. This can be done by measurement. You will need to know the amount of ease you have to ease into the waistband. For example, lets say we have a skirt that has 2 cm to ease into the WB. This means that per 1/4 of the skirt we need to ease in 1/2 a cm.

Start by placing a notch at the CB positions and the CF positions. Now measure the skirt waist between the CF and the side seam on the pattern or block, and reduce this measurement by 0.5cm – this will be the position of the notch on the waistband itself.

Apply this measurement either side of the CF and you have an accurately placed SS notch – to check that all your measurements are correct, you can check that back section of the waistband fits to the back skirt – but also is 0.5 cm smaller each side.

Having explained all that, maybe it wasn’t as simple as I first thought!

As always, if you have any questions at all then please ask.

Nicola

 

 

 

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Pattern Help – Making a pattern for fitted low back blouse –

I often get asked for pattern help and every now and again I post the help on my blog, my customer has recently purchased the contour fitted dress blocks to help her make these lovely saree blouses. This block is available as a PDF download as well as a printed pattern sheet.

Here is her question and I will answer it below…..I have just bought the contour fitted dress blocks as have been asked to make saree blouses (see pics) which normally are very fitted and very low backs. I just have a query re: do I just take the waist dart out completely and if there is gaping (after the neck is cut in back) to remove this to the waist or?? also, I assume the back neck dart is simply removed as part of the design. thanks.

Lets take a look at what to do with the darts for this style first.

The first step for this style is to plan the style lines, as illustrated in purple above, don’t plan the neckline yet, as we need to close out the darts first.

Trace the side panel first and close out the dart, then trace the center front panel and close the shoulder darts and the neckline dart so that all the shaping goes into the princess line seam. Trace the final pattern pieces. Plan the neckline on the center front panel after the darts have been closed out.

The back

Trace the 2 back sections and combine so that you close out the dart, keep the center back straight as this is your grain reference.

Plan a small dart at the back neckline as shown above.

Fold out the small wedge so that you take a little of the extra ease that is in the block, this will stop the back neckline gaping. Trace the final shape.

I hope this helps!

Happy Pattern Cutting!

Nicola

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Pattern Help- Lengthening A Circular Skirt – Full Circle

In a previous post I covered ‘Making The Most of Your Full Circle Skirt‘ and you may want to take a peep at that before or after reading this post.

I have been asked for some ‘pattern help’ and my reader wants to know how to lengthen a full circle skirt. It’s not as easy as it may first appear.

Full circle skirts take up a lot of fabric, so you may well be limited to the extra you can add to the hem, by the length and width of the fabric you have. It may be simpler to use a tailoring technique and mark on the extra length on your fabric with chalk after pinning the pattern down to get the most length you can. My blocks are made as long as I can make them for a 150 cm (59″) wide fabric, but what if you need a longer skirt?

The other way to gain more length, if your fabric is not wide enough is to have more seams, but this is not ideal for full circle skirts as you are using all the different grains of the fabric, warp, weft and bias and the skirt will hang differently at each one, this is covered in detail in the previous post mentioned above.

 

My block sheet is planned as above, the shape is designed to be cut twice on a fold, once for CB (Center Back) and once for CF (Center Front). This means 2 side seams, one containing a zip opening (preferably an invisible zip).

If you measure the block the side seam length is just under 60 cm (23 5/8″) and with the seam allowance you need to add and the allowance for the waist shaping then the skirt piece fits nicely onto 150 cm (59 1/16″) wide fabric folded in half.

Lengthening the full circle skirt

If you choose to lengthen the skirt, by measuring equally down from the hem at right angles and re drawing the hem curve – as you can see below the skirt now no longer fits on the 150 cm wide fabric when placed on the fold line!

Your only choice, if your fabric is not wide enough, is to then have a seam at CB and CF – not nice at all and the skirt would not hang well, so a longer skirt needs a much wider fabric and also will take up over 3 meters in length! It can be quite expensive to make!

As long as you know all this you can make a choice and look at some other options, buy fabric wider than 150 cm or look at the design of your skirt and place a yoke at the waist line to add length or perhaps a frill at the hem.

Its always useful to take your pattern section to the fabric shop with you and give it a try on the fabric of your choice.

I hope this has helped and saved some frustration!

Happy pattern cutting,

Nicola

 

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A Free Half Scale Dress Block! – As A Thank You!!

Thank You & some exciting Information about my upcoming course!

Thanks to all my blog subscribers that took the time to subscribed to my YouTube channel! I am now well over my target 100 subscribers – as a Thank You – I have uploaded a free half scale dress block and it’s in the subscribers bonus contents page for you! Plus some more exciting news below about my upcoming pattern cutting course in France.

Just a little note about scaled blocks – first

When you are practising your pattern cutting, or even developing a style, it’s sometimes useful to do your initial experimentation with half or quarter scale blocks!

This can save paper, however I do recommend using full scale blocks as much as you can – why you may ask?

Working in full scale helps you develop an ‘eye’ for proportion and scale, its amazing, as you become more proficient in pattern drafting, you develop a second sense and can tell immediately when something doesn’t quite measure up. This is a difficult skill to master if you always work in quarter or half scale.

However scaled block do have their place and are perfect for sketch books and experimentation.

I am pleased to announce (dates to be confirmed) that I can now offer a weeks intensive pattern cutting course in France, during September. The course will be limited to 3 or 4 people and will be fully catered. Plus each course member will receive a full set of my Modeliste Creative Colour Blocks! More details and pictures of the accommodation will be available on my courses and professional development page very soon. If you are interested in the course please get in touch!

Thanks again!

Nicola

 

 

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Ease In Childrens’ Blocks and Patterns – How Much?

How much ease should I have in my childrens wear blocks?

This is a question that can throw up many answers and the answers can be vastly different, it all depends on where you look.

I spent a proportion of my career as a freelance grader, grading child patterns, I must admit it’s not my favourite area of pattern cutting, however it is an interesting one.

I am going to look at this topic as a grader and pattern block drafter and not as a designer, so I will only be focusing on functional ease, others refer to this as ‘wearing’ ease. This is the ease incorporated into the basic block, in order for the child to breath, move, bend, and play! It’s the extra above the body measurement according the size chart you used.

I was taught as a student that the elderly and the young need more ease. That’s quite a broad statement and having done a trawl of the literature out there, it appears that there are no set guidelines. Not unusual in the fashion & clothing industry.

The most predominant view out there, is to use the same quantity of ease as an adults block. I would like to look a little closer at what that means. It means that if you are using a block with the equivalent ease of an adults block, for a child block, then the % ease in the child block would be very high. However manufacturers love lots of ease in children’s patterns, as the looser they are the more children then fit and the more sales they make – in theory!

The most commonly used book for beginners drafting for children blocks is Winifred Aldrich’s book, its well set out and the instructions are clear, however she does allow quite a lot of ease in her blocks, I don’t have her book but I believe its about 12 cm in her younger child blocks.

My own blocks have less, about half that at the waist, as I use a dart to control the ease and I use a varying 9 cm at the chest, for my age 2 – 8 sets.

I like to always calculate and show the ease I have added to my blocks, on each pattern sheet.

You can see above that when I compare my own blocks to the latest sizing survey available that I have a stable amount of ease at the waist for the younger sizes and an increased amount after age 4. The dart in my blocks should be used after age 4 to reduce the waist measurement and it’s also then possible to increase the dart intake at the waist and reduce the ease in that way, if you need to.

I tend to ignore the dart in the younger sizes myself, but it can always be used if you need it.

The predominant area of growth for a young child is also height, so the grade for height is also quite large in children’s blocks. An average increase per size would be 6 cm up to age 8.

I have been asked by one of my customers how she can reduce the quantity of ease in a child block. To do this properly you need to understand how blocks are graded and also how much certain areas grow as the age increases.

Lets look at some grading increments –

In fact what are grading increments? – They are the quantity a body and therefore a block increases or decreases between sizes (according to a size chart). In the case of childrens wear, this means between ages.

The grade and therefore the size difference between each age for a shoulder is between 3 to 5 mm. This is quite a large grade compared to an adult lady where the grade can be 2 or 3 mm. I tend to grade at the lower end of this. But this does show you that any small changes you make at the shoulder do affect the size as there is only a small difference between each size here.

A neckline for example would be graded, that is increases or decreased, by around   7 to 10 mm per size step, between the ages of 2 to 9. At the waist the grade can vary from 10 mm to 20 mm, where as at the abdomen and the hips and chest it’s 20 mm so you can see that grading for a child blocks is quite complex. This may explain the amount of ease added into many blocks as it also allows for the huge difference in sizes from one 4 year old to another 4 year old.

Younger children still have an abdominal protrusion ‘ a little tummy’ that they begin to loose after 9 or so. Children are classed as the same in terms of pattern drafting up to the age of 8 or 9. After age 9 boys and girls begin to ‘grow’ differently and their blocks are no longer unisex, they then need separate blocks drafting for boys and girls.

I have separated my blocks set as follows:

Age Birth to 18 months / 2 years

Age 2 to 8/9

Age 9 to 15 ( this is my teen range)

I have woven blocks in all these ranges and stretch blocks in most. You can find them all in my shops.

If I wanted to reduce the quantity of ease in a block I would do this in very small quantities around the block, no more than 2 – 3 mm in each area.

The above plan could also be used to increase the quantity of ease in the block, so instead of taking out quantities at these areas you slash and open out the required amount, but then you are really adding design ease and this can be done as part of your pattern drafting.

It’s important to remember that blocks are only a starting point, particularly with children’s wear.

A size or age is only a label attached to the block. If you are starting a small design business the key is to do your market research, buy children’s clothes in the main high street retailers, measure them and see how they relate to the size charts supplied by that retailer. Collect as many size charts as you can and compare then and then develop your own size chart for your company. Stick to that size chart for all your patterns. Your customers will be confident that your clothing range is consistent and the size they select will fit their child.

I was lucky enough to be able to scan lots of children of all ages in a body scanner as part of a research project I took part in, I can confidently say that all children are different, an age 3 child can be vastly different in their measurements from the next age 3 child, and this goes some way to explaining the ‘extra’ ease allowed in children’s blocks.

I would welcome any comments and discussion on this topic.

As a pattern cutter and grader, I draft all my own blocks using my own methods, if you read my post on drafting a skirt block to your own measurements, you will see that the ease you add to a block is really a matter that’s up for discussion, you can decide what is right for you and your customer.

I would suggest starting with adding a moderate quantity of ease to blocks, for example between 7 – 10mm at the major girth measurements and then adding or subtracting from this in small quantities around the block. It’s tempting to take a huge wedge out of the middle of the block but this would unbalance the block and result in fit problems.

Happy drafting and pattern making,

Nicola

 

 

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Pattern Help – Recreating a Vintage Dress Pattern

I have had a question from one of my readers regarding a dress style.

The best way to develop a dress is by using a dress block, you would think that you could just place a skirt and a bodice together and that would be it – unfortunately its not as simple as that. There are a few adjustments you need to make to join a skirt to a bodice to get a good fit, and you need a little pattern cutting knowledge for that. I plan to do a post on just the subject very soon.

But for now, lets suppose you are in a rush and you have a bodice block and a skirt block, my best advice would be to first of all follow my post on lengthening the bodice below the hip line and that will give you a basic dress block, suitable for some, but not all styles.

Lets take the example above, this is the style my reader wants and she only has a bodice block, but now she has followed the blog post and created a basic dress from the bodice.

 

 

The style lines can be followed through to the back dress and an identical quantity of fullness should be added to the back skirt – remember to cut the skirt on the bias grain with a seam at the center front.

I hope this helps and if anyone else has any pattern cutting puzzles then please let me know.

Happy pattern making

Nicola x

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Fabric Grain Explained

Fabric Grain – A Detailed Explanation.

You may already know about fabric grain, or perhaps you may not! I have encountered students on the second year of their degree in fashion, who did not know about the grain of fabric!

Hopefully those of you that know a little may still learn something here!

Grain refers to placement of threads in a woven fabric, knowledge and understanding of fabric grain is really important when designing, drafting patterns and making any garment.

WARP-WEFT-BIAS

The WARP threads run parallel to the selvedge (the finished edge of your fabric), the WEFT threads run at right angles to the warp, i.e. from selvedge to selvedge (the cut edge). The WARP thread is the stronger of the two.

The WEFT threads should run around the garment, i.e. horizontally, this provides greater elasticity in wear.

The BIAS grain runs at 45 degrees to the warp and weft and provides the greatest amount of natural stretch. The BIAS grain is ideal for draped or softly moulded garments, as garments cut on the bias are more fluid and mould to the body closely.

When making a full circle skirt some sections will unavoidably be cut on the bias, this will result in these sections dropping more at the hem line, therefore it is essential to hang bias cut garments for at least 24 hours and revisit the hem line to make alterations.

If you take a look at my post on circular skirts, you will see how you can achieve different looks by cutting the skirt in different ways!

Grain is important as it effects the whole balance of the garment, garment sections cut off grain will twist on the body, you may well have noticed a pair of trousers you have that twist around the leg, this will be because the trouser pattern section has been cut off grain, this is often seen in cheaper garments as cutting off grain allows the manufacturer to fit more pattern sections on the fabric and save money!

Grain strongly influences how pattern sections are placed on the fabric, therefore garment pattern sections should be placed with the WARP threads running parallel to the center front (CF) and center back (CB) etc. This means that the WARP threads run vertically through the garment.

 

Unfortunately once a garment has been cut off grain there is no possibility of redemption, the signs of a garment having been cut off grain are listed below and should be taken into consideration when you are assessing the fit of a garment.

The material in the leg of a trouser appears to twist slightly to the left or the right and does not lie correctly on the inside leg, unfortunately this may not be spotted until the garment has been washed and dried.

A skirt that is intended to have an even hem line has dropped in one area of the hem.

One side of a neckline appears not to lie flat against the body, or appears to behave differently to the other side of the neckline, for example a cowl neck may hang heavier on one side than the other.

Badly cut garments that have incorrect grain that are produced in a patterned or check fabric can distort the appearance of the fabric.

All of the above are common faults found in cheaper garments, where the manufacturer has tried to save money by tilting the pattern pieces, when cutting the garment out.

Grain Lines on Basic Blocks

Strictly speaking a basic block should have a grain line with no arrows at the ends. Arrows on both ends of a grain line indicate that the pattern piece can be cut facing in either direction, arrows just on one end indicate that the pattern pieces should all be cut facing one way. Fabrics with a nap or pile such as velvet need to be cut in one direction only. Fabrics with a nap should be cut with the ‘pile’ lying as your hair would grow – downwards.

 

Grain lines, if cutting on the straight of grain, are always parallel to the CF or CB. Grain lines on trousers and sleeves run down the center line. A grain line on the center of a trouser is also referred to as a crease line.

Pattern sections to be cut on the bias grain have grain lines marked at 45 degrees to the straight grain.

 Also take note that –

When pattern sections are traced from a master pattern, measure carefully from the original grain lines to place new grain lines on any traced sections, where the original grain line may not be present.

Hopefully you now have all the information you will need on grain and grain lines!

Happy pattern drafting!

Nicola

 

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Updating My Bodice Workbook

I try to produce workbooks for all the main blocks I draft and grade. I want my customers to make the most of my blocks! I also want beginners to have a good start to their learning.

I have recently updated my darts workbook where I cover darts, there really is a lot to know!

I have just updated by bodice workbook and that is now available on my website.

Click this link to go straight there!

The workbook will give you are great start to using your bodice block.

I never stop learning!

Nicola x

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